Hello Writers!
Here are a few questions that I frequently get asked about writing and the publishing business.
What is the best piece of advice you ever received?
I actually received two pieces of advice early on in my writing career, and both have been invaluable. 1) Join SCBWI – Society of Children’s Book Writers and Illustrators. 2) Find a critique group.
What is SCBWI?
SCBWI is a wonderful community of children’s writers and illustrators and has a wealth of resources for writers and illustrators. Through conferences, retreats, webinars, and critique groups – there are opportunities to grow and improve your craft, network with like-minded individuals, and learn to position your work in a very competitive market.
Why do I need a critique group?
Critique groups are vital to your writing for two reasons: they provide an objective, non-partial view of your work and they provide camaraderie. Family and friends – while we love them – are subjective. My critique group is my conscience. When my zany ideas go a bit off the rails, they help me get it back on the rails. They also are my loudest cheerleaders when my zany ideas somehow flourish within my stories.
Do I need an illustrator before I submit my picture book manuscript?
Nope! In fact, publishers prefer that you send only the manuscript. If an editor ends up loving your story and acquiring it, they will find an illustrator. Don’t worry! Editors are amazing at picking out the perfect illustrator for each project, including yours.
How do I send my manuscript to publishers?
There are some publishers (mostly smaller ones) that still accept unsolicited manuscripts. To find them, SCBWI provides a resource called, The Essential Guide to Publishing for Children. It is a wonderful resource on how to set up manuscripts, word count, query letters, and publishers that are open to unsolicited manuscripts. Another way is to attend a conference or webinar where they offer submission opportunities.
Do I need an agent?
Nope! You do not need an agent to get published, but it is getting more difficult because more publishing houses are closed to unsolicited manuscripts. However, I am living proof that it can happen. My first two books were sold without an agent.